In this issue, writers were asked to use this very leading phrase to launch their stories. The stories this issue are doubled in length, resulting in six juicy stories to satisfy your reading appetite. Enjoy!
My mother was born a brunette with raven black hair that glowed blue in the sunlight. Her complexion rivalled Snow White, making her an exception in a blue-eyed, flaxen-haired family. She had me later in life, back in the days when thirty-six is older than it is today. Her style had changed by the time I came along, becoming more comfortable and casual than when she had raised my older siblings. I was born at the very end of the seventies but a decade earlier, my mother had been very fashion conscious and made the most of her dramatic features. She never wore pastels or flower prints or anything soft and flowing. My mother kept her color palate minimal but bold, choosing to wrap herself in black, white, and red. Very few people can pull off red on a regular basis but it was my mother’s signature color at one point and deservedly so. Her nails would be bright cherry red as would her lips, matching everything in her wardrobe.
As an adult, I have tried to do the same but red makes my face look flushed and here in Japan, people only have red cheeks when they are inebriated. So I avoid the color for myself though I appreciate it on others. Red is not an easy color to pull off, but those who can do so with aplomb.
Which leads me to the stories for Issue Four. Eight stories showcasing red as a political statement, as a symbol of hatred, of passion, a memory, a dream. All the stories this week are rich with the color, the authors imbuing their prose with a boldness only red can provoke, and doing so with much aplomb.
This is our first photo prompt but it will not be our last. I selected this one because it just says so much: a powerful emotion is captured but along with it, a stillness. Is he reacting to the newspaper before him or is he hoping the newspaper will distract him from something more disturbing outside of the frame? Or is he reacting to anything at all? Perhaps the sun is too bright, perhaps he is exhausted from taking care of his colicky grandson so his daughter could get some much-needed sleep. So many story possibilities in this one picture, six of which are laid out with incredible creativity in this week’s issue.
(2) Lunch by Dawn DeBraal (3) Trash by Kelli J Gavin (4) Submerged Vanity by Henry Bladon (5) In the cafe by Sunil Sharma (6) Father’s Day by Michael Natt (7) A Search by Debjani Mukherjee (8) The Obituary by Mark Kodama (9) The Other Side by Brandy Bonifas
My mother always has some bizarre detail woven into her letters about the mundane. Last week, I got one that included this gem: so your brother had a blackout up there (the electricity, not your brother) and he and the neighbor went to investigate. Turns out a raccoon had bit into the transformer somehow, messing everything up. And they know it was a raccoon because the poor thing was there on the ground, still smoking.
Which made me think, we have not had any stories focusing on the other species of this world. Of course, the word wildlife could be twisted into different meanings and that is fine. Just make sure the story includes wildlife of some sort or the other and you will be aces.
As always, 500 words or less and due on Thursday, February 21st by 8 pm.
Hey there and welcome to Volume 2 of Mercurial Stories.
My grandmother had always said she detested the smell of roses, called them funeral flowers, and because she was my first kindred spirit on this planet, I adopted this attitude towards the beloved bloom.
So when Frankie Oscar the Third showed up on Valentine’s Day at my junior high school with a dozen of them cradled in one arm and a heart-shaped box of chocolates covered in fake roses in the other, I found myself more nauseous than delighted. Nauseous and embarrassed. I had gotten a bigger present than any other 8th grader and from my high school boyfriend at that. I should have felt smug as well as delighted. But I did not.
The note he had included in the card made it all the worse. It read just like all his other letters, I love you, sweetheart. Again, wasn’t that what I was supposed to want to read? And yet I found it incredibly boring, the same sentence over and over, hastily scribbled on wide-ruled notebook paper.
My mom told me that I was supposed to keep the roses in the empty chocolate box, a sort of romantic trophy that I would eventually be sentimental for. So I cut off the flowers’ heads and tossed them into the box then stored it at the back of my closet. Later, on a laundry-washing weekend home from college, I came across the chocolate box when looking for an old marbled composition notebook. There inside were the rose heads, their red petals now shriveled and black. The sickly sweet smell flooded the room. I put the lid back on, walked out to where my father was burning a pile of leaves, and tossed the box in whole.
It might seem a little strange, in light of that story, that I should select, for a story due on Valentine’s Day, the prompt “Let Me Call You Sweetheart”. And yet I decided on it because I assumed that my writers would have wide-range of perspectives about the holiday. And I was not disappointed.
Today we have five stories with titles from the now extinct Conversation Hearts candy, the small candy with big messages.
This year, the American confectionery company Necco went bankrupt and the classic Valentine’s candy Sweethearts went down with them. After 116 years of manufacturing sugary conversation starters, people will have to rely on their own wits to express their adoration.
For this week’s prompt, I want you to select a Sweethearts’ message and use it. The message should also double as the title. There are many lists of messages available such as this one or this one. And, as usual, 500 words, due 2/14 by 8 pm est via Green Submissions (as a PDF please).
Feel free to write me with any questions or concerns: firstname.lastname@example.org.